Contemporary art
Place Royale
Latest Version
Willem de Haan

Through his often humorous works, the Dutch artist explores our relationship to public space. He recontextualizes familiar elements to reveal their absurdity or unexpected poetry.

Place Royale is a symbol of downtown Nantes. Its monumental fountain – inaugurated in 1865 – reflects the city’s 19th-century economic and urban boom: here, a central female figure embodies the city, surrounded by bronze allegories representing its driving forces – from the Loire and its tributaries to the industries of the time.

But what does this monument still say about the city today? That’s the question posed by Willem de Haan. Through his often humorous works, the Dutch artist explores our relationship to public space. He recontextualizes familiar elements to reveal their absurdity or unexpected poetry.

For Place Royale, he decided to “update” the fountain: fourteen hyperrealistic figures of contemporary people from Nantes have replaced the 19th-century allegories. Selected for their professions, commitments, or ties to the city’s transformations, these individuals represent the social, economic, and cultural dynamics of the 21st century.

The original statues have been moved elsewhere in the square and rearranged within a structure resembling a museum storage facility, thus creating a dialogue between past and present.

Through this piece, the artist offers a new way of reading the city, rooted in its current identity and ongoing changes. Blending homage and renewal, the work questions how a city builds its image through monuments, and how it chooses to tell its story in public space.

Do not climb on the foutain.

Flash visits daily at 11 AM. Duration: 20 – 30 min.
No booking required, subject to availability.

Willem de Haan was born in 1996 in Apeldoorn (Netherlands). He now lives and works in Antwerp (Belgium).

This work was made possible with the support of the Embassy of the Kingdom of the Netherlands.

Thanks to the Department of Heritage and Archaeology of Nantes.

3 questions to the artist

What was your first impression of Nantes?
During my first few minutes in town, it already seemed obvious Nantes is a city that is constantly reïnventing itself.
With a lot of iconic repurposed infrastructure, such as the old biscuit factory turned concert hall and old shipwarfs turned sculpture garden, Nantes seems to be a city with many (very differing) histories.
The historic isn’t taken away here, but adapted with time.
What does “public space” mean to you?
Public space is against the algorytm. Where online tracking is helping you decide what you watch and listen to in your private space… public space is random.
It’s the space where you encounter the unexpected. Where you hear a language you’ve never heard before, hear music you’ve never listened to, smell food you’ve never tasted, hear different opinions then those from within your private bubble. Public space is a constant conversation, which in my opinion could not be loud enough. Not because one is shouting, but because thousands join the chat.
Is there an artwork, a place, a meeting, or a situation that’s inspiring your project for Nantes?
While the Place Royale–square has seen many makeovers in the last 160 years; with flower gazons, market stalls, later completely ruined by bombing, busy car occupied streets and even a tramline running through, the fountain on the square has remained the exact same since 1865. Stuck representing a city that’s long gone. With priorities, morals, economies and demographics ever changing, shouldn’t the local heritage?