{"id":121809,"date":"2025-04-29T11:26:31","date_gmt":"2025-04-29T09:26:31","guid":{"rendered":"https:\/\/www.levoyageanantes.fr\/oeuvres\/mothership\/"},"modified":"2026-02-24T17:26:24","modified_gmt":"2026-02-24T16:26:24","slug":"mothership","status":"publish","type":"oeuvre","link":"https:\/\/www.levoyageanantes.fr\/en\/artworks\/mothership\/","title":{"rendered":"Mothership"},"content":{"rendered":"<div class=\"VAN22_CHAPEAU\"><p>Subtly interweaving existential questions with scientific debate, and blending the sacred with contemporary social issues, Prune Nourry\u2019s humanistic approach, invites us to reflect on our future and our common origins.<\/p>\n<\/div>\n\n\n<p>In 2010, she invited an 8-month-pregnant woman to pose in her studio in an inflatable pool filled with milk, where the liquid created a horizon out of which only certain parts of the body protruded. She photographed the model, made a life-sized mould out of clay, then cast the sculpture in concrete. She soon felt compelled to produce it on a much larger scale, which led to Mater Earth: a permanent clay sculpture created for Ch\u00e2teau La Coste in 2023.<\/p>\n\n\n\n<p>In keeping with this project, she presents a new work for Le Voyage \u00e0 Nantes entitled <em>Mothership<\/em>. Nearly 17 metres (56 ft.) long, the sculpture takes the form of upturned boat hulls, echoing the city\u2019s history as one of France\u2019s oldest ports. Made of metallic structures, the frameworks of these hulls trace skeletal lines that appear simultaneously human, animal, and naval, in keeping with her interest in hybridizing living forms.<\/p>\n\n\n\n<p>As in all of her work, Nourry blends different sources of inspiration in Mater Earth and Mothership: from temazcales (pre-Columbian sweat lodges in Central and North America) to the Lascaux cave paintings, to iconic works from the 1960s by Niki de Saint-Phalle or Jean Dubuffet.<\/p>\n\n\n\t<\/div><\/section>\n\t<section class=\"VAN22_NOTE VAN22_BG_gris\"><div class=\"VAN22_LIMIT_SECTION\"><p>Prune Nourry was born in 1985. 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